(Daquise, 1974)
The sun is out in rosy Albertropolis
so tables in their white tablecloths
slide onto amber pavements
under swishing trees and sparkling leaves.
Here we two sit,
Wendy Kellerman and me
tackling intricate Polish cakes,
Russian teas, frothy coffees
like continentals, sexy Parisians
talking poetry. At the next table
sunk deep in newspapers
a man is eavesdropping.
His eyes creep over the top
of his crossword, tiptoe back again,.
he pats himself down inwardly,
leans over, butts in, introduces himself :
A Famous English Poet.
This tactic must miss more times than hit
but today is his lucky day!
as here we are, two teenage literary romantics,
Wendy, statuesque and gothic
dressed as usual in a wedding dress,
the dirty virgin Bride of Usher ,
white transparent broderie anglaise
can barely bear the weight
of all her deep black hair,
and me, as her friend, I don't need to dress up,
she's good looking enough for the both of us.
As if we doubt him (we do)
he flourishes his chequebook,
shows us the printed name, and there it is,
You-Know-Who, The Big Bad Wolf.
We remain unmoved, let him
draw out the afternoon, top up our coffees,
teas, cakes; we try to uncover him
with trick questions of increasing tactlessness.
At six o clock we feel the fat warmth of evening
calling, how easily we move through it,
fleet footed on tubes and buses,
without caring, without planning.
We leave behind the Famous English Poet
or the bearer of his name, his table
a desolation of patisserie,
crumpled linen, broken tarts.
last post
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This blog was mainly about my time living in Madrid and my return to London
in 2010. I will not be updating or adding to it from March 2013.
I have started...
13 years ago








